watercolour / acrylic painted directly on gessoed panel / the idea of being able to walk up / walk into to pure light situation just ahead of you is one that remains fresh each time you gaze on it. Coming upon that deeper in the forest, like a moth to a flame, is enough to stop you dead in your snowshoes; it becomes a room one without walls yet you can walk to the edges of it twirl around and look back and around and see it all in a whole new light and then the sun moves a little deeper into the day taking the light with it…
Item details
GTIN: 184377
Price
C$ 325.00
Quantity available
1
Dimensions
Product
Length/Depth: 1.75 in
Width: 12 in
Height: 12 in
Package
Length/Depth: 8 in
Width: 18 in
Height: 18 in
Shipping
Free
Option to pick up the product in person instead of shipping
Delivery and pickup restrictions may apply: free delivery within half tank of gas of toronto / we use fed ex for longer distances
Refund & return policy
each purchase is individual; every issue is solved individually
Exceptions may apply. Please message for more information.
Meet your seller
Micheal Zarowsky
Canadian painter, fervent adlibber
Watercolours on arches paper /
Watercolours / acrylics painted directly on gessoed panels
Hons. B.A. philosophy / psychology,
York University, Toronto, 76.
Elected Member C.S.P.W.C. / O.SA / S.C.A / C.F.S
Works are in collections worldwide.
Summarizing statement; “I find light irresistible.”
Micheal Zarowsky seems to have a line of vision that is altogether novel & intriguing. He sees some fragment of a far larger landscape & he takes this element,
turns it a little, plays with the colours, & creates a painting that is a highly appealing blend of impressionism & realism. Micheal has an uncanny ability to isolate the essence of a landscape, and then illuminate the small part of the whole, which becomes the very symbol of
that which it represents. That, of course, is what abstraction is all about; but the genius of Micheal Zarowsky is that he presents the effect of abstraction while he is actually painting in a realistic way some isolated element that signifies, with utmost economy, the wider scene. Andrew Malcolm
Canadian painter, working on panel & paper, in watercolour, acrylic n pastels; the focus, is a fresh original dialogue on the Canadian landscape, where the emphasis is on the process of discovery: that is, the creative interpretation of some aspect of the world – being coupled with a second process; namely, that of inventiveness – the personal expression of what is discovered.